Welcome from the Dean and Head of School Kate Hislop
Clever and creative design is needed now more than ever. At a time when environments are increasingly coming under threat, we have exciting strategic and instrumental opportunities to make a positive impact on the ways that we understand, shape and inhabit our built and natural landscapes. Preservation and enhancement of public and private realms; considered responses to global and local peoples and cultures; resourceful use of systems and materials; and smart application of technologies are at the forefront of our teaching and research efforts at the School of Design.
Western Australia is a unique place in which to learn and practice within the fields of art and design, and at UWA we distinctively bring these disciplines together. We offer dedicated studio spaces, leading workshop facilities, on-site technical expertise and a range of local and international study destinations. Here, students obtain the knowledge and skills needed to thrive in their chosen careers, guided by dedicated staff internationally renowned as scholars and practitioners. Industry partners and professionals support the School in its mission to educate the next generation of architects, artists, art historians, landscape architects and urban designers. The future of work may be changing, but for these careers there will always be a place.
Look closely, think boldly, work skilfully, act generously. Join our vibrant community and make your future here.
The School of Design acknowledges the Whadjuk Noongar people as the traditional owners of the land on which our campus is situated. The Whadjuk Noongar remain the spiritual and cultural custodians of their land, and continue to practise their values, languages, beliefs and knowledge.
Departments and Courses
We deliver courses and undertake research in two broad areas.
Summer Exhibition 2020 Catalogue
A selection of projects from the Summer Exhibition 2020 featuring work from the creative fields of Architecture, Fine Arts, Landscape Architecture, Urban Design, History of Art and BIM.
Visualising Batavia Silverware
Imaging and Analysing VOC’s Precious Metal Trade Objects for Mughal IndiaRead more
Architecture students recognised for refugee playground design
A group of UWA Master of Architecture students has won an Editor’s Choice award in the international Re-imagining Play International Design Competition for their design of a refugee camp learning and play unit.Read more
Government climate change policy misses the mark
Professor Bill Grace from the UWA School of Design looks at the release of the Western Australian Climate Change Policy.Read more
Shifting Sands brings sustainable Perth landscape to life
A new art installation on the UWA Nedlands campus is bringing Perth’s unique landscape to life.Read more
Our notable alumni
Curator, writer, consultant and facilitator
Curator, writer, consultant and facilitator
Bachelor of Arts (Honours)As a Fine Arts (Honours) graduate, Emilia has worked freelance for over 10 years across urban and remote areas seeking to strengthen and support community-led commercial artistic practice for artists and their arts organisations. She has delivered projects and major exhibitions for Indigenous-owned art centres and national institutions and held roles as creative director of Revealed for Fremantle Arts Centre in 2016 and 2017; co-curator and community liaison for Desert River Sea: Portraits of the Kimberley for the Art Gallery of Western Australia; and arts and business manager of Warakurna Artists the remote Ngaanyatjarra lands. Her current clients include AGWA, AACHWA and Martumili Artists.
As a current Churchill fellow, she has been developing international business opportunities and advocating for Indigenous contemporary arts inclusion in broader contemporary dialogues.
Looking back on her studies at UWA, Emilia says she had no idea how her life was going to pan out at the time.
“I was able to choose electives that enriched my intellectual capacity and extend my critical thinking. After getting to third year psychology, I decided that I didn’t want to be a psychologist. I did extra units to finish my degree with two different majors in Archaeology and Fine Arts theory. I then completed an honours dissertation in Fine Arts. After psychology and my deep interest in human behaviour, these two majors, on reflection, are oddly in line with that interest. I enjoyed the study of the output of humanity rather than the flesh itself. Darren Jorgensen and Clarissa Ball at Fine Arts and Jane Balme and Alistair Patterson at Archaeology were formative in my future career pathways and knowledge.”
Photograph by Casey Ayres
Norman Foster Foundation Scholar
Norman Foster Foundation Scholar, Madrid
Bachelor of Environmental Design and Master of ArchitectureAbel is an Ethiopian-Australian designer working across architecture and urbanism with a strong interest in city futures. In investigating innovation through design he has taught and worked alongside communities across the globe. The sole recipient of the 10th Royal Institute of British Architects (RIBA) Norman Foster Travelling Award, he is a Norman Foster Foundation Scholar and contributing writer to ArchitectureAU. He has worked in the international studios of Kengo Kuma & Associates (Tokyo), Foster + Partners (London) and the Norman Foster Foundation (Madrid), collaborated alongside the Australian Urban Design Research Centre (Perth), and taught at the UWA School of Design.
“The part of the course that I enjoyed the most was getting to form a close network of friends and mentors. Being able to learn in the classroom is important, but what I found of great value was the opportunity to come across a lot of curious minds with differing perspectives. It's really this access to a wealth of experience coupled with the opportunity to debate opinions that I found most beneficial to my personal growth.”
University lecturer, Perth
PhD (History of Art and Communication Studies)Since completing her PhD, Christina has been working as a lecturer, first at UWA and now at Curtin University. She has published a book titled Movement, Time, Technology and Art and presented on ABC TV about contemporary art in Australia. Christina has also published academic articles on kinetic sculpture, contemporary art theory, post-internet aesthetics, robots, contemporaneity, Henri Bergson, and Gilles Deleuze.
“What sticks with me the most are memories of the conversations that emerged during and after the tutorials. Through talking about the readings in the tutorials, I learned a lot about how to be a decent human being, but also how to engage with ideas that I found uncomfortable or challenging. I learned how to think, what to think about, and how to think through problems. I also learned how to have conversations with people that thought differently to me, without having a fight about it,” she says.
“I love that my career requires me to commit a lot of deep thinking time to my areas of expertise. I also love that academia is a lot more collaborative and social than I first thought. Being able to talk through ideas, theory, and ethics with colleagues and students is immensely nourishing.”
Photograph by Bo Wong
Associate at ARM Architecture
Associate at ARM Architecture, Melbourne
Bachelor of Environmental Design and Master of ArchitectureJenny is now a Melbourne-based Associate at ARM Architecture. She has worked on a wide range of large projects all over Australia including RAC Arena, Elizabeth Quay, Melbourne’s Southbank Theatre and, currently, the Gold Coast’s HOTA Gallery and Geelong Arts Centre. She has a keen interest in computer-aided 3D design, and is skilled at virtual 3D modelling for designing buildings and for communicating them to clients and the public.
The things she enjoyed most about studying at UWA were “The complex, varied, often contradictory passions of each of the staff, which showed me how many different ways there are to approach architecture and be an architect. Also, of course, the lifelong friends I made during long hours in the studio, the computer lab and the library.”
Co-founder of ‘Brave and Curious’
Co-founder of ‘Brave and Curious’, WA
Bachelor of Design and Master of ArchitectureThroughout his studies, Joe became increasingly interested in how design relates to ecological and social contexts and finished his master’s by travelling to the Philippines to intern with Habitat for Humanity Asia-Pacific and writing a dissertation on climate-induced displacement.
After graduating he worked for residential architecture practice David Weir Architects, then lived in remote north-western Zambia for a few months working with Orkidstudio (now Build X and BuildHer), working on design and project managing construction of doctors’ and nurses’ housing. There he learnt a lot about the potential of a construction process to promote change, equality and wellbeing in a community, as well as the opportunities, constraints and nuances in getting humanitarian projects off the ground.
He’s now relocated to the south west and runs a small business called ‘Brave and Curious’ with his friend and mentor Greg Grabasch, working across urban design, landscape architecture and architecture.
“My UWA degree provided me with a broad set of skills which I have been able to apply to a wide range of projects. I have worked across a huge range of scales already – from large trail mapping projects through to detailing bathrooms. I am grateful that by offering a wide range of electives, my course facilitated this jack of all trades (master of none at this stage!) approach. The course also encouraged me to form a world view and design approach that I have been able to test and bounce off collaborators, clients and the local seals, with positive results so far.”
Sara Padgett Kjaersgaard
Landscape architect and lecturer
Sara Padgett Kjaersgaard
Landscape architect and lecturer, Sydney
Bachelor of Landscape Architecture (Hons)Sara is a Registered Landscape Architect (AILA), PhD candidate (UWA) and Lecturer in Landscape Architecture at UNSW. She was awarded the Jeppe Aagaard Andersen scholarship to travel in Denmark in 2006, where she worked on projects including the London Olympics and the Aalborg Music Hall. She has held several leadership positions with the Australian Institute of Landscape Architects (AILA) and has recently been a juror (2019) and co-host (2020) of Channel 10’s Australia By Design – Landscape Series alongside Jamie Durie.
“I knew Landscape Architecture was the right degree for me – it’s the perfect balance between the arts (design), science (natural systems) and human culture (geography/anthropology). Landscape Architecture is a diverse and growing profession which is gaining increased profile within Australia and abroad. The profession is well equipped to deal with some of the biggest challenges this century including climate change, rapid urbanisation, preventative health measures, access to open space, species diversity as well as political activism.”
Arts producer and curator
Arts producer and curator, Perth
Bachelor of Arts (Honours) in Fine Arts
Katherine is an arts producer and curator who has worked with a range of institutions including Artsource, the Lawrence Wilson Art Gallery, the Perth Public Art Foundation, the City of Melville, The Museum of Modern Art (MoMA), and the Venice Biennale. Alongside her role as Program Director with the Fremantle Biennale, she is the Curator & Project Manager at DADAA and Special Projects Coordinator at Fremantle Arts Centre.
“When I went into my Honours I was still undecided on a career in the arts. Or more, I was unsure what a career would even look like beyond being an academic in art history or working in a gallery. At one point when I was stumbling over ideas for my Honours thesis, DarrenJorgensen handed me Guy Debord’s The Situationist and recommended I look up the practice of Suzanne Lacy and writings of Claire Bishop. That changed everything. It was a practice outside of galleries; a practice about people, place, situations, and about conversations. I still think of curating and creative producing as that, opening and creating conversations. University prepares you in all the usual ways – it gives you knowledge and skills to talk, write, question; but it also guides you. Perhaps not in the ways you expected.”Photograph by Pixel Poetry